Millions Of Viewers Are Crying Watching My Anime

Chapter 447 Looking for a theoretical basis for depression animation

“Your Name” slightly exceeded expectations, Takagi Makoto’s career is considered to be complete, and the rest is his personal goal: to make Depression Animation one of the mainstream animations in this world island country.

To achieve this goal, a large group of people need to express their expectations for Depression Animation.

Thanks to his unremitting efforts over the past ten years, many people have chosen to watch Yu animation, but this scale is far from enough.

Moreover, although some people specialize in looking at Depression Animation, in order not to be regarded as an outlier, they will not tell others. Tsundere often said: They don’t like Depression Animation at all.

It is necessary to reverse the concept of the entire animation circle and tell them that Depression animation is not a monster. As long as it is done well, Depression animation may be better than those that do not cause depression.

Let them feel that it is the most glorious to watch depression animation, even if they are depressed, they will be miserably abused.

It is very difficult to change the concept of a group of people, but you have to work hard.

Of course, if you want Depression Animation to become the mainstream, it is not only necessary to reverse everyone’s concept, but also need more excellent Depression Animation to appear on the market.

Thanks to the unremitting efforts of Makoto Takagi, there are now more and more excellent melancholic animations, but they are still not enough.

More people have to join the ranks of creating depression animations, and there must be such a day: even if he does not secretly shoot, there are still four or five depression animations every quarter.

There are an average of four or five depressive animations, of which two or three are very popular, and they are still highly anticipated when they know they are depressive animations, making countless people shout “want to watch”.

When such a day comes, then his personal goal will be achieved.

When it comes to depression animation, Sanjo Yumi has to be called.

Makoto Takagi asked Akino Kawano to call Sanjo Yumi for help, and agreed to meet at a time. Then, he went back to DOS and returned to his office.

It’s been a long time since I wrote the project of the animation for WA. It happened that I was busy with the 15th anniversary recently. I also announced to the outside world that it is not easy to continue writing the script. “Your Name” is almost too busy. , So let’s just do a few more.

What “Yucheng Yuna is a brave”, “Otherworld Life from Zero”, “From the Abyss” theatrical version, are all done.

Because only one project draft was made, after the draft was produced, Yoshima Shirai on the W.A. side had to complete it, so it didn’t take much time.

Several planning drafts were finalized. Seeing that it was not time to get off work, Takagi Makoto did not leave early, but browsed the related information about Qizhi Yu animation on the Internet.

…

The next day, an agreed time.

Takagi Makoto came to Baige again.

In Kawano Akino’s office, Sanjo Yumi was already waiting.

Makoto Takagi didn’t say hello to Sanjo Yumi, but handed over the draft plans to Kawano Akino so that Kawano could take a look first.

After all, W.A. is not by Takagi Makoto alone. Although Kawano Akino will certainly not have any opinions about his plans, it is still not easy to pass Kawano Akino directly to Shirai Yoshima.

Kawano Akino said nothing.

She nodded, took the few draft plans, and looked at them silently.

After a while, she said: “Wait a few days, Shirai will report the work to him.”

“Yeah.” Takagi Makoto responded.

“That…may I see it?” Yumi Sanjo said suddenly.

This requirement is definitely not enough for ordinary people. After all, every plan is a secret of the company, and it is impossible to show it to others casually.

However, Sanjo Yumi’s situation is different.

Kawano Akino glanced at Takagi Makoto, and seeing that Takagi Makoto had no comments, she handed over the draft plans to Sanjo Yumi.

Sanjo Yumi looked at it, and then naturally made a request: to invest.

There was also no way to refuse this request, but Makoto Takagi was too lazy to care about the mess. At the same time he agreed, he threw the stall directly to Akino Kawano so that Akino Kawano would negotiate slowly with Sanjo Yumi later.

Sanjo Yumi Takagi Makoto promised simply, and his attitude towards Takagi Makoto was slightly better: “So what? What do you want to say when you call me this time?”

“I think we have to do something more. What we are currently doing is not impossible, but there is still something missing after all.” Takagi Makoto said with a serious face.

“Huh?” Sanjo Yumi frowned.

Kawano Akino directly asked, “What is missing?”

“We just do depression animation, or secretly do depression animation, from beginning to end, it won’t work… Well, I mean, maybe we should also engage in publicity.” Gao Mucheng replied.

“Propaganda? What do you mean?” Sanjo Yumi was puzzled.

“That is to say, let the audience know that Depression Animation is excellent and beautiful, watching Depression Animation is very glorious, and other companies must feel that Depression Animation is very good, so that they can be more proactive in making Depression Animation. Takagi Makoto explained.

Sanjo Yumi was dumbfounded: “The audience likes Depression Animation, and other companies are doing Depression Animation, so what are we doing? The reason why I do Depression Animation is to see that the audience clearly doesn’t like Depression Animation but there is no way. It’s meaningless if you really want them to like it if you don’t look at it.”

“Can’t think like that.”

Takagi Makoto shook his head slightly, “Like a depression animation does not mean that they will not be depressed. It makes more people like it but painful, isn’t it more interesting?”

Sanjo Yumi thought slightly, but didn’t know if it made sense, so he didn’t say more.

Takagi Makoto turned his attention to Kawano Akino.

After a while, I heard Kawano Akino say: “I almost understand what you mean. In other words, what we have to do now is two things. First, look for the theoretical basis for the depression animation. Second, look for the relevant ones. The data tells other animation companies that Depression animation has become more and more popular and encourages them to do excellent Depression animation.”

“Yes, yes, that’s what it means.” Takagi Makoto quickly agreed.

This analysis is very accurate, and it is indeed these two things.

However, originally he only had a general idea, but now after Kawano Akino analyzes it, he feels that the thoughts in his mind have become clear.

The theoretical basis of the gloomy animation, since it is a theory, there are many things that can be talked about, such as Shakespeare’s four great tragedies, ancient Greek tragedies, and even the story of Kaguya in the island country, which is actually a tragedy.

Many stories that have been circulated for a long time are tragedies and belong to the depressive system, so there is nothing wrong with liking depressive animation, and it is strange for people who do not like depressive animation.